Paint Palettes New and Old
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An introduction to the wide range of color palettes developed over the years, from Pompeii to today. Continue reading →
Hues and Dyes
I just played the online Color Sense Game by Voice of Color from Porter Paints (part of PPG Paints). It’s a kind of test – your answers to a range of questions like “pick 5 words that inspire you” (out of a given list), or “where would you feel most at home?”(you select one image out of a wide range), or “what animal would you be?” (again from a range of pictures) – result in your own personal paint palette. It seemed fairly accurate in my case; that is, I liked the color range that my answers produced.
Apparently I’m “Al Fresco” – or is that the brother of Bill Fresco. Apparently it means that I like green tones. You’ll note that there is a little tab on the upper right corner that says “Your Secondary Harmony Family” (this will be news to my wife — and me too, come to think of it!).
My secondary family turns out to be the Whites…It all sounds a little corny, but I think it can help you figure out what colors are meaningful to you. Painter beware, however because if you play again and change one or two answers you may get a very different set of colors…After I switched from tiger to eagle
Color is at once very simple and subjective (you instinctively like certain hues) and highly sophisticated and complex (the psychological study of color perception, for example). In the history of architecture there are many color palettes, from the vibrant reds and yellow ochres of Pompeiian frescoes (image below courtesy Natural Pigments)
in the dining room at Monticello. According to retrofit guru Bob Vila, this particularly vivid palette is a relatively recent discovery, thanks to scientific analysis of the original pigments (photo courtesy his website). At the turn of the 20th century architects like Frank Lloyd Wright and the Bay Area’s Bernard Maybeck became identified with an Arts & Crafts palette (from the movement of the same name) and evolved their own set of hues and tones
often with autumnal hues like red, burnt orange, and even gold to complement the use of natural materials like redwood and brick. In fact Wright’s favorite color was what he called Cherokee red (photo of Wright’s Zimmerman house, by David J. Bohl, courtesy Currier Museum of Art, from About.com).
European modernists like Le Corbusier developed their own palettes as well;
his was based on primary colors, but, as shown above, included a variety of subtle variations. These colors (and the image) are from the website Aaltocolor.com. The elegant palette published in 128 Colors: A Sample Book for Architects, Conservators, and Designers, by Katrin Trautwein (Birkhauser,
Basel, 2010) includes 68 Corbusian hues along with 60 others. Trautwein founded an artisinal paint manufacturer in Uster, Switzerland in 1997. She explains how Le Corbusier’s colors were designed to “remain stable in space to support architecture’s three dimensional effects.” As a painter as well as an architect (remember his Purist efforts,
like this still life of 1922, courtesy Ferris) he knew what he was talking about. He probably was not thinking about tigers and eagles.