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Conversation » In the Material World: Susan Weber

by LiveModern Webmaster last modified Aug 07, 2012 01:02 AM
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by Joanne Furio last modified Aug 06, 2012

by Joanne Furio Long before Peggy Guggenheim bought her first Jackson Pollock, the Wittlesbach Dukes of Bavaria were snapping up antiquities. Before Philip Johnson’s Glass House or even modernism, the movement, existed, architecture of the Iranian-Sassanian tradition was revered for its innovative domed constructions. The Bard Graduate Center: Decorative Arts, Design History, Material Culture (BGC) may not the only place in Manhattan where you can delve deeply into such scholarly subjects, but it is certainly the most influential. Susan Weber founded the center (with $20 million of her then-husband George Soros’s money) in 1993 “to advance the recognition of the decorative arts as one of the primary expressions of human achievement.”




 

 

Susan Weber Portrait Rectangle

by Joanne Furio

Long before Peggy Guggenheim bought her first Jackson Pollock, the Wittlesbach Dukes of Bavaria were snapping up antiquities. Before Philip Johnson’s Glass House or even modernism, the movement, existed, architecture of the Iranian-Sassanian tradition was revered for its innovative domed constructions. The Bard Graduate Center: Decorative Arts, Design History, Material Culture (BGC) may not the only place in Manhattan where you can delve deeply into such scholarly subjects, but it is certainly the most influential. Susan Weber founded the center (with $20 million of her then-husband George Soros’s money) in 1993 “to advance the recognition of the decorative arts as one of the primary expressions of human achievement.”



 

 

 
 
 

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