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by LiveModern Webmaster last modified Jan 04, 2012 02:24 AM
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by Marc Kristal last modified Feb 14, 2011

by Marc Kristal Twenty-nine years after Robert Moses’s death, the mixed legacy of New York’s über–urban planner remains inescapable. I feel it acutely when, after a long ride on the F that loops me into Brooklyn and a stroll past the magisterial 40-foot-deep front lawns of Carroll Gardens, I cross a footbridge over the six-lane trench of Moses’s notorious Brooklyn-Queens Expressway—which, in addition to bringing noise and pollution, cast Red Hook, on the expressway’s other side, into isolation. Indeed, when I descend from the bridge, the milieu changes markedly: There are houses interspersed with weedy lots and light industry, signs warning of rat poison.




 

 

concepts new york brooklyn kidd red hook roof portrait square

by Marc Kristal

Twenty-nine years after Robert Moses’s death, the mixed legacy of New York’s über–urban planner remains inescapable. I feel it acutely when, after a long ride on the F that loops me into Brooklyn and a stroll past the magisterial 40-foot-deep front lawns of Carroll Gardens, I cross a footbridge over the six-lane trench of Moses’s notorious Brooklyn-Queens Expressway—which, in addition to bringing noise and pollution, cast Red Hook, on the expressway’s other side, into isolation. Indeed, when I descend from the bridge, the milieu changes markedly: There are houses interspersed with weedy lots and light industry, signs warning of rat poison.

 

 

 
 
 

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