Personal tools
log in | join | help
Sections

Conversation » Lesley Anton's Ceramic Muses

by LiveModern Webmaster last modified Jan 04, 2012 02:19 AM
Editorial Rating: 1 2 3 4 5
Average Rating: 1 2 3 4 5 ( 0 votes)
by Erika Heet last modified May 09, 2011

by Erika Heet Citing inspirations ranging from the rocks of Joshua Tree to sand dunes, bamboo and her grandmother’s milk-glass hobnail bottles, Los Angeles-based ceramist Lesley Anton began her craft with clay classes at the 92nd Street Y in New York City. She worked out of her garage and backyard in Los Angeles for nine years before moving into a studio with a storefront in which she displays her functional work, consisting of bowls, mugs and utensil vessels. Anton is inspired by ceramists Beatrice Wood “for her creativity and flat out ballsiness,” Adam Silverman “for his peaceful, minimal profiles with the most vibrant and tactile glazes,” and Otto and Vivika Heino “for their tenacity and dedication to the process.” Anton, who can be found nearly every day at the wheel in her studio, hopes that her work occupies its own space within the milieu of California pottery. “The legacy of clay in California is huge, but I feel like since my work dabbles in both the design world as well as the craft world, I hope that it transcends both, to be able to stand the test of time.” Her lamps are sold to the trade through the Thomas Lavin showroom.




 

 

anton square

by Erika Heet

Citing inspirations ranging from the rocks of Joshua Tree to sand dunes, bamboo and her grandmother’s milk-glass hobnail bottles, Los Angeles-based ceramist Lesley Anton began her craft with clay classes at the 92nd Street Y in New York City. She worked out of her garage and backyard in Los Angeles for nine years before moving into a studio with a storefront in which she displays her functional work, consisting of bowls, mugs and utensil vessels. Anton is inspired by ceramists Beatrice Wood “for her creativity and flat out ballsiness,” Adam Silverman “for his peaceful, minimal profiles with the most vibrant and tactile glazes,” and Otto and Vivika Heino “for their tenacity and dedication to the process.” Anton, who can be found nearly every day at the wheel in her studio, hopes that her work occupies its own space within the milieu of California pottery. “The legacy of clay in California is huge, but I feel like since my work dabbles in both the design world as well as the craft world, I hope that it transcends both, to be able to stand the test of time.” Her lamps are sold to the trade through the Thomas Lavin showroom.



 

 

 
 
 

Website migration, maintenance and customization provided by Grafware.