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I've got a short text in the New York Times this weekend about the aerial photographs of Christoph Gielen. His photos feature both prison complexes and retirement communities, shot from above via helicopter, in the desert southwest.
The geometries formed by these buildings and streets—boxes, whorls, circles, half-labyrinths, and interrupted circuitboards—give the sites a remarkable visual footprint. One of the developments has even become a unique aerial landmark for passing airplanes. A settled world that perhaps only makes sense from above.
The text itself starts off with a long quotation from Thomas Pynchon's The Crying of Lot 49—but I'm indebted to architect Ed Keller for reminding me of that passage.
So check it out! And check out Gielen's other work when you get a chance, as well.