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Writer In Residence

by Geoff Manaugh (noreply@blogger.com) last modified Jan 04, 2012 03:04 AM
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by Geoff Manaugh (noreply@blogger.com) last modified Sep 06, 2010



 

 

[Images: Casa Kike by Gianni Botsford Architects, photographed by Christian Richters].

Reestablishing myself here on a desktop computer that had been sitting inside a storage unit for the past 15 months, I've been having a good time going through old bookmarks: rediscovering what I saved way back in 2008 and 2009, and seeing whether or not I'm still interested in the stories. Articles about mining the ocean floor, about the state of California selling landmarks to raise cash, and about design competitions that came and went sit beside pages for various architecture offices and now-outdated technology reviews.

Among these old links, though, is a house I still absolutely adore, one that many of you will probably have already seen on other blogs, but is still worth posting: the Casa Kike, a private residence in Costa Rica by Gianni Botsford Architects, seen here in photographs by Christian Richters.

[Image: Casa Kike by Gianni Botsford Architects, photographed by Christian Richters].

The house is an "intimate double pavilion for a writer in Costa Rica," with a budget that topped out at just over $100,000. From the architect's own description:
    A main studio space, with library, writing desk and grand piano, is the writer’s daytime space. The pavilion’s wooden structure, sourced from local timber, sits on a simple foundation of wooden stilts on small concrete pad foundations. Roof beams of up to 10 m long and 355 mm deep allow for an interior with no vertical columns. The mono-pitched roof elevates towards the sea shore, while the interior is through ventilated via a completely louvred glazed end façade.
There is then a second pavilion: "set at a short distance along a raised walkway," we read, it "contains sleeping quarters and a bathroom."

[Images: Casa Kike by Gianni Botsford Architects, photographed by Christian Richters].

I'm basically just posting these images without comment—other than to say it's a gorgeous project, and I'm glad I rediscovered it in my bookmarks from 2008.

 

 

 
 
 

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